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I generally opt to create proxy media on import, so there is additional time added to beginning of my workflow. Not only does this require some processing power, but it also adds time to your workflow. Final Cut Pro X needs to transcode your original media in order to create proxy media. That said, I use proxy media all the time on my 512GB MacBook and rarely run into any issues. This may be especially concerning for those of you editing on machines with limited space. Although proxy files are much smaller than original media, creating these files still takes up additional space on your Mac. Here’s a look at four things that can make editing with proxy media a challenge: There are some downsides to using proxy media, although none of them are big enough downers to convince me not to employ its use. Besides, exporting is easy if you choose an encoding method that takes advantage of Intel’s Quick Sync Video. If you don’t do this, you may notice significant file degradation on the final product, and that’s not what you want. Switching back will ensure that your exported file will be of the highest quality. Before you share (export) media, be sure to switch back to Optimized/Original media in the viewer by clicking the View button, and selecting Optimized/Original under the Media heading. Remember, proxy media exists just to help take pressure off your system while editing. Switch back to Optimized/Original prior to sharing media If no proxy media exists, you can click the Generate proxy media button. Under the File Information heading, you’ll see a green dot next to Proxy if proxy files exist for this media. To see if media has an associated proxy file, select the media in the browser, open the Inspector, and click the Info tab.
FINAL CUT PRO 10.3.4 REMOVE MEDIA HOW TO
How to see if a media file has an associated proxy file You’ll need to transcode this media to proxy before it will display properly in the proxy viewer. To switch to proxy viewer mode, click the View button in the upper right-hand corner of the viewer window, and click Proxy under the Media heading.Īny files that haven’t been converted to proxy media will display a Missing Proxy File alert icon. You’ll need to manually switch to proxy viewer mode to benefit from the less resource-intensive files. Just because you create proxy media doesn’t mean that Final Cut Pro X’s viewer is displaying proxy files. Subscribe to our YouTube channel for more videos How to force the viewer to display proxy media
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You can also create proxy media via the Info tab in the Inspector. Simply right-click on the media that you wish to convert to proxy media, select Transcode Media and check the box next to Create proxy media and click OK. The second way to create proxy media can be employed after media is imported. Ensure that this option is checked to convert all imported videos to proxy media right after import. On the media import screen, you’ll see an option under the Transcoding section to create proxy media. There are multiple ways to create Proxy media in Final Cut Pro X: You can do so upon initial media import, or you can do so after media is imported. In Final Cut Pro, proxy media is converted to Apple’s ProRes 422 Proxy format. Proxy media significantly enhances playback performance in Final Cut Pro X’s viewer by lowering the video quality to one-half resolution. In this post, we’ll show you how to leverage proxy media in order to successfully edit video on an underpowered Mac. Thankfully, Final Cut Pro X has built-in features that allow users to edit 4K video on even the most anemic of systems. Editing 4K video, however, is much more taxing on the MacBook, especially when employing various effects and color correction. When it comes to exporting 4K video, the MacBook shines due to Intel Quick Sync Video hardware encoding. I love my 2016 MacBook for a variety of reasons, but there are still some areas where its Core M processor struggles to keep up.